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Writing

Some links on writing:

From Paul Graham's Writing, Briefly:

I think it's far more important to write well than most people realize. Writing doesn't just communicate ideas; it generates them. If you're bad at writing and don't like to do it, you'll miss out on most of the ideas writing would have generated.

As for how to write well, here's the short version: Write a bad version 1 as fast as you can; rewrite it over and over; cut out everything unnecessary; write in a conversational tone; develop a nose for bad writing, so you can see and fix it in yours; imitate writers you like; if you can't get started, tell someone what you plan to write about, then write down what you said; expect 80% of the ideas in an essay to happen after you start writing it, and 50% of those you start with to be wrong; be confident enough to cut; have friends you trust read your stuff and tell you which bits are confusing or drag; don't (always) make detailed outlines; mull ideas over for a few days before writing; carry a small notebook or scrap paper with you; start writing when you think of the first sentence; if a deadline forces you to start before that, just say the most important sentence first; write about stuff you like; don't try to sound impressive; don't hesitate to change the topic on the fly; use footnotes to contain digressions; use anaphora to knit sentences together; read your essays out loud to see (a) where you stumble over awkward phrases and (b) which bits are boring (the paragraphs you dread reading); try to tell the reader something new and useful; work in fairly big quanta of time; when you restart, begin by rereading what you have so far; when you finish, leave yourself something easy to start with; accumulate notes for topics you plan to cover at the bottom of the file; don't feel obliged to cover any of them; write for a reader who won't read the essay as carefully as you do, just as pop songs are designed to sound ok on crappy car radios; if you say anything mistaken, fix it immediately; ask friends which sentence you'll regret most; go back and tone down harsh remarks; publish stuff online, because an audience makes you write more, and thus generate more ideas; print out drafts instead of just looking at them on the screen; use simple, germanic words; learn to distinguish surprises from digressions; learn to recognize the approach of an ending, and when one appears, grab it.

Is there a boilerplate preamble for science papers?đź”—

I was thinking of inserting something like this in my next science articles and writing in active voice, breaking the norm. By Yudkowsky:

Journal articles are often written in passive voice. (Pardon me, some scientists write their journal articles in passive voice. It's not as if the articles are being written by no one, with no one to blame.) It sounds more authoritative to say "The subjects were administered Progenitorivox" than "I gave each college student a bottle of 20 Progenitorivox, and told them to take one every night until they were gone." If you remove the scientist from the description, that leaves only the all-important data. But in reality the scientist is there, and the subjects are college students, and the Progenitorivox wasn't "administered" but handed over with instructions. Passive voice obscures reality.

Often when I read a study in the passive voice, I will anyway want to ask "and how did you administer Progenitorivox? When? What words did you use? What order did you talk to the subjects in? Why? Where?", so it is not wasted verbiage to include all that from the start. Actually it compresses the writing, as much of the information is communicated implicitly when you use active voice, so there is no need to write a sequence of passive-voice statements like "The location was… The time was… The method was…". A third argument is that it's generally more pleasant to read, which should be a high goal of any scientific writing: what's not accessible to laymen may as well not exist (it scares off indie peer-review, will not be understood even by those in your field, will not spread, etc). Sure, this isn't fiction you're writing, but fiction is written to be easy to read, so your article should read like fiction as far as possible; saying it looks like fiction is the same as saying it's well-written!

And here's Orwell:

When one watches some tired hack on the platform mechanically repeating the familiar phrases—bestial, atrocities, iron heel, bloodstained tyranny, free peoples of the world, stand shoulder to shoulder—one often has a curious feeling that one is not watching a live human being but some kind of dummy… A speaker who uses that kind of phraseology has gone some distance toward turning himself into a machine. The appropriate noises are coming out of his larynx, but his brain is not involved, as it would be if he were choosing his words for himself…

What is above all needed is to let the meaning choose the word, and not the other way around. In prose, the worst thing one can do with words is surrender to them. When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualising you probably hunt about until you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning. Probably it is better to put off using words as long as possible and get one's meaning as clear as one can through pictures and sensations.

Which would not affect the article's style visibly to others, but has implications for how to write and read articles. Be aware that a researcher may just be stringing words together and letting the words do a portion of their thinking. There's a second reason to be skeptical of recycled prose: it indicates the author has other purposes in mind than research, e.g. graduating or getting published. And when you want to describe your research, ask yourself "What did you research? Was it useful? Do you care about it? How was it done? Were the methods good? What information do you want to give to humankind?" and for each answer, do not think any words.

And there's something Jaynes said about backing up proofs overmuch. But that's for another day.

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What you can't say

Paul Graham has a seminal essay (paulgraham.com/say.html). A short quote by C. S. Lewis touches on the same area:

Every age has its own outlook. It is specially good at seeing certain truths and specially liable to make certain mistakes. We all, therefore, need the books that will correct the characteristic mistakes of our own period. And that means the old books. All contemporary writers share to some extent the contemporary outlook—even those, like myself, who seem most opposed to it. Nothing strikes me more when I read controversies of past ages than the fact that both sides were usually assuming without question a good deal which we should now absolutely deny. They thought that they were as completely opposed as two sides could be, but in fact they were all the time secretly united—united with each other and against earlier and later ages—by a great mass of common assumptions. We may be sure that the characteristic blindness of the twentieth century—the blindness about which posterity will ask, “But how could they have thought that?”—lies where we have never suspected it, and concerns something about which there is untroubled agreement between Hitler and President Roosevelt or between Mr. H. G. Wells and Karl Barth. None of us can fully escape this blindness, but we shall certainly increase it, and weaken our guard against it, if we read only modern books. Where they are true they will give us truths which we half knew already. Where they are false they will aggravate the error with which we are already dangerously ill. The only palliative is to keep the clean sea breeze of the centuries blowing through our minds, and this can be done only by reading old books.

(Disclaimer: I don't know much about C.S. Lewis beyond the above quote)

It's funny because we can obviously find at least two other categories to read as palliatives. C. S. Lewis was open to reading different times, but I presume he still only exposed himself to the perspectives of European men, since that… is what tends to happen when an European reads old books. Different times, but not different places, nor different perspectives in his own time, like those of women or minorities or other cultures. The scary part is I can believe that those palliatives didn't even occur to him.

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ESS

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  • C-c C-p
  • C-c C-d a (ess-display-help-apropos)
  • C-c C-d v (ess-display-vignettes)

Do not ever print out ?help output in the R console. Use C-c C-v (ess-help). Once showing help for some object you can also press a to do apropos (??) search or v to display vignettes.

Do not ever type R code to install packages. Use C-c C-e i (ess-install-library) or ess-devtools-*.

Wanna find out more commands? Place cursor in the console, do <f1 b> (counsel-describe-bindings), type "ess".

For each command you're curious about, spawn a buffer with C-M-m or use ivy-resume to get back to the ivy prompt.

Created (3 years ago)
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